Exploding Pope!

It’s been a few days since my last post; I’ve been swamped with things that I have to write, that have kept me away from what I want to write…like this blog. I have something coming tomorrow. In the meantime, I’m responding to yet another query as to the origin of the banner illustration (above). I found it while working on my Frederik II and the Protestant Cause book, probably the book I’m proudest of. Not that it reads quite like my trade titles (hint: it’s written for academics), but I’ve never put so much research into anything I’ve ever done before, and this book took LOTS. Much of the book deals with King Frederik II’s attempts to create an international Protestant alliance to counter what he (and other Protestant sovereigns, like Elizabeth I) saw as an international Catholic conspiracy. This is a drawing of a fireworks display that was executed to celebrate the christening of the infant heir-apparent of Denmark, Frederik II’s eldest son, the later King Christian IV of Denmark, in 1577. The description of the event indicates that this was fully mechanized…and quite ingenious. A Landsknecht (soldier), carrying a burning torch, advanced from the building on the right of the drawing, crossed the bridge, and thrust the torch into the mouth of the pope (figure in the center of the square at left — the individuals on the corners were just meant to be monks, probably Jesuits). Then the head of the papal effigy caught fire and he exploded. I’m not sure what specific message it was supposed to convey…but I’m sure the notion of an exploding pope was a happy one for Lutheran Denmark at the time.

More anon.

Embedded with the reenactors – American History – Salon.com

Embedded with the reenactors – American History – Salon.com.

I’ve been involved with reenacting for most of my adult life, sporadically but intensely. And to be perfectly honest, as a historian I have truly mixed feelings about that. In part, it’s the whole “honoring one’s ancestors” aspect of reenacting / living history, which I’ve never fully understood; in part it’s the notion that someone who has never done primary-source research, has perhaps watched a documentary or two, and partially absorbed a secondary source (usually dubious) can tell a wide-eyed public that he/she is a “historian.” But more about that later. I want to ruminate on this for a couple of days and write something up. And if anyone is reading this, I’d like to read their opinions about the merits/flaws they see in historical reenacting … let me hear from you.

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